Between black and white.
In a black four-sided glass is some white sand. This nondescript monochrome arrangement demonstrates the infinite gradations that exist within the fluid force of life. It swirls, diverges, banks up, flocks, collapses, and finally grows still. Perhaps this fluidity is what life actually is.
"NOSIGNER–Reason behind Forms" exhibition starts from the hypothesis "What if all designs are imitations of nature, or what if the very act of designing is the act of unconsciously simulating the evolution of nature?" and compares/contrasts artificial and natural objects and explores the purpose within form, as well as ways of conceiving designs, based on the idea that "design is the biology of objects."