PROJECT
zo bauhaus!
Alamar ƙarshen shekara ɗari na Bauhaus don Japan—hanyar nazarin jiki tana nuna tsarin tunanin ƙira.
HOW
Bincike na almara
ilimin kirkire-kirkire
na Bauhaus.

An sanya mu a matsayin masu kula da ƙirar gabaɗaya don aikin bauhaus 100 japan wanda ya tunawa da cika shekaru 100 na makarantar Bauhaus ta hanyar baje koli da al'amuran da aka gudanar a duk faɗin Japan.
A cikin haɓaka alamar aikin, mun yi amfani da ra'ayin ƙira wanda ke bikin bikin ta hanyar yin koyi da sifofin "◯", "△", da "□" waɗanda ake kwatanta su a matsayin alamomin Bauhaus. Mun yi amfani da silinda biyu da abu ɗaya mai siffar mazugi a cikin alamar mai motsi ta 3D wanda ke gabatar da siffofin "◯", "△", "□" idan aka kalli shi daga sama da "100" idan aka kalli shi daga gefe.


Jagorancinmu na fasaha don baje kolin "kommt ans bauhaus!" wanda ya haskaka ilimin tushe na Bauhaus, ya dauki jigon rarraba Bauhaus don koyon wannan makaranta mai tarihi da sabuwa.
Dangane da dabarun ilimin halittar jiki da ke nazarin siffar da tsarin gabobin da ke tattare da jikin mutum a fannin aikinsu, mun rarrarraba makarantar da Gropius ya tsara a Dessau, tare da samfuran wakilci da suka fito daga makarantar. Mun samar da hotunan nazari akan ayyukan wadannan sassa, mun fadada su zuwa fastocin baje koli, tikiti, kasidu, da sauransu. Ta wannan bincike, mun nemi fahimtar ma'anoni da ke boye a cikin siffa, mun yi niyya ga tsari da ke haifar da hankali na kirkire-kirkire a masu kallo.







WHY
Don koyon kirkire-kirkire
daga makarantar almara
mai shekaru 100.
Makarantar fasaha ta almara ta Bauhaus ta buɗe a shekarar 1919 a Weimar, Jamus. Wanda maginin Walter Gropius ya kafa kuma manyan masu fasaha na zamani kamar Wassily Kandinsky da Paul Klee suka jagoranta, Bauhaus ta kasance mai muhimmanci wajen yada manufar "zane" a matsayin ilimi don arzurtar rayuwar masu amfani.
Duk da cewa tarihin Bauhaus a matsayin makaranta mai aiki ya ƙare a 1933, shekaru 14 kawai bayan buɗewa, a wannan lokacin ta fitar da manyan magina da masu zane da yawa. Manufofin ilimi na makarantar suna ci gaba da yin babban tasiri a fannonin fasaha da zane. A bayan falsafarsa akwai shirin koyar da ƙirƙira mai sabuntawa wanda ya samo asali daga ilimin yara na farko na Friedrich Fröbel. Ta hanyar samun wahayi daga falsafar halitta ta Johann Wolfgang von Goethe, makarantar ta yi amfani da tsarin ilimi inda ɗalibai ke koyon bayyana samfuri ta fuskar ka'ida da aiki, kamar yadda ake yi a kimiyyar halitta, kuma suna haɗa waɗannan zuwa gine-gine, fannin da ke haɗa dukkan fasahohi. Shin za a iya sake koyon ƙirƙirar da zamaninmu na buƙata daga wannan falsafar?
JP Explain of Graph

WILL
Ƙirƙirar ilimin ƙirƙira na zamani
wanda ya wuce Bauhaus.
Nunin "kommt ans bauhaus!" ya yi tafiya zuwa gidajen kayan gargajiya biyar a fadin Japan a cikin 2019 da 2020, yana ba da damar sadarwa da muhimmancin ilimin fasaha na robobi ga mutane da yawa. Ta hanyar jagorancinmu na fasaha na aikin, mu kanmu mun sami damar koyan karin bayani game da Bauhaus.
Yayin da tsarin zamani wanda Bauhaus ya jagoranta ya ba da gudummawa ga wadatar al'umma, bil'adama daga nan ta bi hanyar tattalin arziki da yawa, wanda ya kai ga karancin albarkatu, sauyin yanayi, fadada gibin masu arziki da talakawa, da sauran batutuwan duniya. Magance irin wannan rashin daidaito shine kalubalen da ke fuskantar tsarin zamani. Ana bukatar ilimin kirkire-kirkire na baya kamar na Bauhaus yanzu fiye da kowane lokaci.
A kan wannan bangare, Eisuke Tachikawa na NOSIGNER ya shirya "tunanin juyin halitta," hanyar tunani da ta gano hanyoyin kirkire-kirkire a cikin juyin halittu. Burinmu shine sabunta ilimin kirkire-kirkire na zamani bisa "falsafar yanayi" da ke cin gajiyar kwararar ilimin yara na farko bisa ga Bauhaus da Friedrich Fröbel, don tabbatar da sabon ilimin kirkire-kirkire.

INFORMATION
- What
- kommt ans bauhaus!
- When
- 2017
- Where
- Japan
- Client
- Scope
- Logo / Motion logo / Promotional items / Infographics / Pamphlet / Photograph (社内リリース素材使用のみ) / Product / Book cover / Book cover and inner page design / Space / Exhibition / Poster / CG Modeling
CREDIT
- Art Direction
- NOSIGNER (Eisuke Tachikawa)
- Graphic Design
- NOSIGNER (Eisuke Tachikawa, Tomoro Hanzawa, Toshiyuki Nakaie, Yoshiki Odake)
- CG Modeling
- NOSIGNER (Shunsuke Furukawa, Ryusei Noguchi)
- Motion Design
- NOSIGNER (Tomoro Hanzawa)
- Illustration
- NOSIGNER (Tomoro Hanzawa)
- Photograph
- NOSIGNER (Tomoro Hanzawa), CCDN (Yuichi Hisatsugu)