PROJECT
Bach Collegium Japan
Alamar tambari don ƙungiyar kiɗan Baroque na duniya ta Japan ta amfani da rubutun zamanin Bach.
HOW
Bayyana nau'o'in rubutun gargajiya ta hanyar zane-zanen gine-gine.
Bach Collegium Japan kungiya ce ta makada da makada da aka kafa a shekara ta 1990 ta Masaaki Suzuki, wani shahararren mai kunna Bach a duniya, jagora, kuma mai bincike da ake girmamawa duka a Japan da sauran kasashen duniya. Mun yi sa'ar haduwa da su kuma muka shiga cikin sanya alamar kungiyar ta hanyar shirin wasan kwaikwayo na wakokin da suke yi na biyan kuɗi.
Bangaren bincike na Bach Collegium Japan ya mayar da hankali kan kiɗan baroque da ayyukan addini na J.S. Bach. Yana da muhimmancin ilimi mai girma, tare da abun cikin waƙar da ke sake haifar da ainihin sauti ta amfani da tsoffin kayan aiki. Don haka mun yanke shawarar sabunta shirin tare da ƙira ta amfani da tarin nau'ikan rubutun tarihi waɗanda ake girmamawa sosai a lokacin Bach. Kowace shekara za mu haskaka sabon nau'in rubutu na gargajiya, kamar Uncial da Fraktur waɗanda ake amfani da su a karni na 18 a Jamus, kuma mu haɓaka su zuwa zane-zane waɗanda ke wakiltar ƙa'idodin rubutu da tsarin kamar zanen gine-gine.
Baya ga isar da yanayin zamanin da mawaƙin ya rayu a ciki, ƙirarmu ta nemi bayyana salon ƙirƙirar gine-gine na Bach da ainihin yanayin kyawun waƙarsa a duk lokacin da ya yi nazarin tsarin da ƙa'idodin kyau.
Ta amfani da irin wannan hanya, mun kuma ƙirƙiri alamar bikin cika shekaru 30 na ƙungiyar a shekara ta 2020 da ƙirar tsarin shirinsu.
Ana amfani da zanen ginin karni na 18 (hagu) a matsayin motif, tsarin da ka'idodin zane-zanen rubutun gargajiya an shigar da su a bayyane.
WHY
Shin kiɗan gargajiya zai tsaya a nan gaba?
Maido na Meiji a ƙarshen karni na 19 ya nuna farkon shigo da al'adun Yamma zuwa Japan, kuma a wannan lokacin ne kiɗan gargajiya ya bazu a duk faɗin ƙasar. "Symphony no.9" na Beethoven ya zama waƙar al'ada ta ƙarshen shekara, yana haifar da al'ada ta musamman. Duk da haka, har zuwa yau, ƙarancin masu sha'awar kiɗa da raguwar rabon kasuwar kiɗa suna barazana ga rayuwar kiɗan gargajiya tare da ƙungiyoyin kiɗa waɗanda suke ƙoƙarin kiyaye gadon su.
A tsawon tarihinsu, ƙungiyoyin kiɗa na Tokyo sun haɓaka irin wannan babban matakin fasaha wanda ya yi daidai da na Berlin ko Vienna. Ƙungiyoyin kiɗa na Japan a duk faɗin ƙasar sun kuma sami karɓuwa a duniya dangane da karatun kiɗan gargajiya.
Me zai ɗauka don sake gano ikon ƙungiyoyin kiɗa na Japan, don isa ga wani yanki na jama'a waɗanda ba su riga sun kai ba, da kuma tallafa wa babban ayyukansu na ilimi? Me za mu iya yi don kiɗan gargajiya wanda ya wuce layin al'ada ya zama gado na gama gari don haɗa shi da makomar gaba?
WILL
Kyawun kiɗan Bach zai ci gaba da wucewa zuwa gaba.
Shirye-shiryen wasan kwaikwayo, waɗanda aka tsara cikin tsari mai dacewa tun 2014, sun zama sanannun abubuwan tattarawa kuma mutane da yawa suna siyan su. Waɗannan kuɗin suna taimakawa wajen tallafawa ayyukan ƙungiyar makaɗa.
Kiɗan Baroque na ƙarni na 18, zamanin Bach, ana ɗaukarsa a matsayin ɗaya daga cikin manyan kiɗan gargajiya. Bach Collegium Japan sun yi aiki mai girma da ba a iya auna shi ba wajen kiyaye ainihin yanayin kiɗan da ya wuce shekaru 250 kuma kasancewarsa abin mamaki ne. Muna son ci gaba da tallafawa ayyukansu daga bangaren zane, mu kuma taimaka wajen isar da al'adun kiɗan gargajiya ga tsaroki masu zuwa.
INFORMATION
- What
- Bach Collegium Japan
- When
- 2014-
- Where
- Japan
- Client
- Scope
- Book cover and inner page design
CREDIT
- Art Direction
- NOSIGNER (Eisuke Tachikawa)
- Graphic Design
- NOSIGNER (Eisuke Tachikawa, Toshiyuki Nakaie, Nozomi Aoyama, Jin Nagao)
- Photograph
- CCDN (Yuichi Hisatsugu)
